She argues that the environment of the cinema a "hermetically sealed world which unwinds magically" with its lack of light and inability to interact with other spectators produces the ideal environment for voyeurism where spectators can look in on a "private world". She also argues that the gaze of the male spectator is united with that of the male protagonist. They become one man, looking at women. As I am using a male protagonist, this may happen but hopefully the main content of horror will distract and take-away from this.
'Rear Window' by Alfred Hitchcock has influenced my product of representations. Although I have a male protagonist, he is also the victim which deliberately goes against the traditional representations. Similarly to this film, I previously decided I could of added an extra female to the trailer to represent how the camera will not embody the males 'gaze'. If I add in the main characters partner, there will not only be intertextual romance but similar to Rear Window, the man will be more occupied/disturbed by his observations than that of the girlfriend. I would use this if I was making an extension trailer or the whole film.
Yes - interseting and helpful.
ReplyDeletePlease make it clear that we had a lesson on this and these ideas grew as a consequence of that.